{"id":1,"date":"2025-10-18T15:55:14","date_gmt":"2025-10-18T15:55:14","guid":{"rendered":"https:\/\/ckm.org.rs\/?p=1"},"modified":"2025-10-18T17:49:53","modified_gmt":"2025-10-18T17:49:53","slug":"hello-world","status":"publish","type":"post","link":"https:\/\/ckm.org.rs\/index.php\/2025\/10\/18\/hello-world\/","title":{"rendered":"How my love for Belgrade led me to volunteer for the Centar za Kulturu Mira"},"content":{"rendered":"\n<p>Since arriving in Belgrade, I\u2019ve fallen head over heels in love &#8211; it\u2019s a place where history and<br>modernity coexist in unexpected harmony, where every street seems to tell a story, and where<br>creativity spills from galleries, music venues, and impromptu gatherings. There\u2019s a raw, magnetic<br>charm to Belgrade that\u2019s hard to describe but impossible to ignore.<br>What has moved me most, though, are the people. There\u2019s a warmth, a humor, and a resilient spirit<br>in Serbians that I admire deeply. Conversations are genuine, gestures are generous, and the sense of<br>community is real. It&#8217;s not just a city I\u2019m passing through\u2014it&#8217;s a place I now feel a part of.<br>Volunteering with Centar za Kulturu Mira is my way of giving back to a place that has given me so<br>much. I believe in what the center stands for: bridging cultures, celebrating art, and creating spaces<br>where people can come together in peace and mutual understanding.<br>In a city as alive and ever-evolving as Belgrade, contributing to cultural dialogue and unity feels not<br>only meaningful but essential. I\u2019m honored to be a small part of that work.<br><span style=\"text-decoration: underline;\"><strong>About Benjamin Berry<\/strong><\/span><br><strong>Benjamin Berry<\/strong> is a Japanese-born, UK-raisedwriter, composer, and musical director, currently<br>living in Belgrade.<br>Key facts:<br><strong>Film &amp; TV music creator<\/strong> \u2013 Composed scores for The Shallows, The View, Love Island USA,<br>Rough Night, and more<br><strong>Choreographer &amp; director<\/strong> \u2013 Works on projects such as Germany\u2019s Next Top Model and the<br>upcoming film Corazon City<br><strong>Producer &amp; remixer<\/strong> \u2013 Collaborated with artists like Max Richter, Ellie Goulding, LeAnn Rimes,<br>and Kylie Minogue<br><strong>Former DJ &amp; journalist<\/strong> \u2013 Ex-Managing Editor at Yahoo! Music UK, with interviews featuring<br>Calvin Harris and Lily Allen<br><strong>Museum fellow<\/strong> \u2013 Developed exhibition prototypes at Hamburg\u2019s Museum f\u00fcr Kunst und Gewerbe<br>Social impact advocate \u2013 Worked on initiatives around social mobility, gender equality, and<br>BAME representation<br><strong>Educated in music business<\/strong> \u2013 Holds a Master\u2019s degree from the University of Westminster<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since arriving in Belgrade, I\u2019ve fallen head over heels in love &#8211; it\u2019s a place where history andmodernity coexist in unexpected harmony, where every street seems to tell a story, and wherecreativity spills from galleries, music venues, and impromptu gatherings. There\u2019s a raw, magneticcharm to Belgrade that\u2019s hard to describe but impossible to ignore.What has &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/ckm.org.rs\/index.php\/2025\/10\/18\/hello-world\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;How my love for Belgrade led me to volunteer for the Centar za Kulturu Mira&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/posts\/1","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/comments?post=1"}],"version-history":[{"count":3,"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/posts\/1\/revisions"}],"predecessor-version":[{"id":58,"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/posts\/1\/revisions\/58"}],"wp:attachment":[{"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/media?parent=1"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/categories?post=1"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ckm.org.rs\/index.php\/wp-json\/wp\/v2\/tags?post=1"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}